Audience and shape
Who is on the other side of the camera.
Urdu- and English-speaking Muslims across the diaspora — Pakistan, India, the United Kingdom, the United States, and the Gulf states. A strong Saudi-resident core (vidIQ country rank around #299) reflects the fifteen years in Madinah.
Engagement spikes in two predictable windows: Ramadan and the Hajj cycle. Outside those, the catalogue earns a long, quiet tail — the kind of evergreen view-curve sponsors who think in twelve-month horizons recognise immediately.
- Primary language
- Urdu · English
- Production base
- Madinah
- Peak windows
- Ramadan · Hajj
- Countries filmed
- 16
What sponsors get
Formats the films already support.
- 01
Pre-roll, mid-roll, integrated
Three integration depths, priced independently. Most partners take more than one.
- 02
Multi-platform amplification
Every release cuts down for Facebook, Instagram, and TikTok — the audience lives across four surfaces, not one.
- 03
Episodic Ramadan release
Daily-cadence episodes through the month. Each episode publishes with the partner lockup in the opener.
- 04
Evergreen permanence on Qur'an ka Safar
Integrations stay live on the catalogue — viewers find the films years later, and the brand is still there.